Note that in order to change a Project from Rec 709 to Wide you must first set the Library to Wide. You can set the color space for individual Projects, or an entire Library. Compatible monitors are necessary for wide gamut display. New settings allow editing and output in Rec.709 or Rec.2020 (Wide) color space. New Wide Gamut Options and Viewer Range Check
FINAL CUT PRO FOR MAC 10.3 ARCHIVE
Now when you share or archive Libraries, any custom Motion Templates can travel with it. This is a big deal for folks who collaborate on jobs and use custom Templates. Remember that any plugins that are not stored in the Motion Templates Folder will still need to be installed on all machines on which you open the Library. You set this in the Library Inspector or by right clicking a Library in the Browser, very straightforward. Put the Browser on a second monitor as I do at work, and it’s much easier to hunt for stuff.Īlso, you can now store Motion Templates in the Library if you want. Titles and Generators now appear in the Browser as well. The Music & SFX Browser moves to the main browser window, and gains a skimmable waveform view. It takes a minute to figure out where everything is, but it really makes much more sense in day to day use. Many buttons, controls and Menu options have moved and/or been consolidated in a much more logical fashion. Brand New User Interfaceĭark, flat, and in my opinion, way better to work with than the old version… I use a bunch of NLE’s and this version of FCP X is by far the easiest on the eyes. FCP X 10.3 will run on macOS 10.11.4 and up.Īs I said… Rather than just listing all the features – you can find those in the help menu or online – lets have a look at what it’s like to actually use this beast. It’s pretty clear now why this took a while to appear, it’s kind of a whole new app.
FINAL CUT PRO FOR MAC 10.3 FULL
New Pro formats, Full screen Timeline on a second monitor (and other 2 display options), XML Import into existing Events (loving this!). Optional Continuous Play in the Browser (set this in the View Menu Browser options)Ĭonsolidate custom Motion Templates in a Library (set this in Library Inspector or right click a Library in the Browser)Ĭheck the release notes, there’s a lot more. New Audio/Music Browser with Waveform Preview One Click to add Audio-Only Fades (set this in Editing Preferences under Audio)Īdd Effects to master Roles in a Compound Clip (Role based mixing.) New MXF and DPP Metadata Views (Apple cares about pros!)
Timeline Clip Height KB Shortcut now properly works in TimelineĪdd Roles on import manually or using iXML, in the Inspector, or TL Index. Redesigned Timeline 2.0 with optional Role Organization Let’s start with the headline features, then go a little in depth. Since everyone on the internet will be writing about these updates in depth, I’ll be providing the TL DR (too long didn’t read) version for FCP X and talking about what it’s like to actually use it. It’s been a long time coming and for good reason… it’s a major update, arguably the biggest yet. Oh, hold on… Final Cut Pro X 10.3 was released today too right?
Well, the wait is over, Motion and Compressor have finally been updated!
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